The shoot was mainly split into two; wandering the streets of Shoreditch one windy December morning as Dan looked for inspiration and influences for his work, and I documented that whilst also realising that I never dress correctly for whatever weather is going on.

The second half was in Dan’s studio covering his process as he created a piece from scratch. It’s pretty straightforward here, just documenting each step and getting enough footage, especially as my editing process was a lot more technical to what I normally do.

Dan got the track “Majesty” by Wasiu cleared for the video, and it mixed perfectly with the vibe we’d talked about for the project. So cutting the video to it was pretty enjoyable, other than being stunned by the bass late at night.

I dropped by Dan’s a few weeks later to do one or two pick-up shots of Dan’s bottles, and we talked about how varying the videos I’ve made for Dan so far are. The first is about three years old now – Dan being my first major London-based client after moving there – then the first project I shot after moving back from Australia last year, then also being the last project I shot last year, and the first I shot this year.

What I’m trying to say is, Dan’s good to measure my life by it seems.

It’s aways fun to work with Dan, he’s up for any idea and thought, which makes sense why he didn’t question me holding my camera sideways at points. It reflects in his work that constantly grows and evolves to absorb and adapt to his new techniques and methods whilst still maintaining the DNA of his style.

read the full blog by Underdog Media

The shoot was mainly split into two; wandering the streets of Shoreditch one windy December morning as Dan looked for inspiration and influences for his work, and I documented that whilst also realising that I never dress correctly for whatever weather is going on.

The second half was in Dan’s studio covering his process as he created a piece from scratch. It’s pretty straightforward here, just documenting each step and getting enough footage, especially as my editing process was a lot more technical to what I normally do.

Dan got the track “Majesty” by Wasiu cleared for the video, and it mixed perfectly with the vibe we’d talked about for the project. So cutting the video to it was pretty enjoyable, other than being stunned by the bass late at night.

I dropped by Dan’s a few weeks later to do one or two pick-up shots of Dan’s bottles, and we talked about how varying the videos I’ve made for Dan so far are. The first is about three years old now – Dan being my first major London-based client after moving there – then the first project I shot after moving back from Australia last year, then also being the last project I shot last year, and the first I shot this year.

What I’m trying to say is, Dan’s good to measure my life by it seems.

It’s aways fun to work with Dan, he’s up for any idea and thought, which makes sense why he didn’t question me holding my camera sideways at points. It reflects in his work that constantly grows and evolves to absorb and adapt to his new techniques and methods whilst still maintaining the DNA of his style.

read the full blog by Underdog Media